And if you bear with me, I also promise that I won't use any more cheesy fish puns or expressions until the last paragraph of this article.
Let's get into it, then. The first thing that you should know is that this lens is a big boy. It's over 4 inches in diameter and more than 6 inches long, and it weighs in at around 3 pounds. That's quite hefty for a prime lens, but you can take solace in the idea that it could probably double as car jack or a battering ram if you ever get really desperate. I'm kidding, of course, because either of those uses would likely void the warranty and would possibly scratch the bulbous glass at the front of the lens.
Speaking of the glass, the element at the front is truly a thing of beauty, but it also comes with its own set of challenges. Because of the pronounced convex shape of the front glass, you can't use front filters with this lens. However, there is a filter mount slot at the base of the lens where you can load in gelatin filters.
Additionally, the folks at Sigma made the lens with an integrated hood to cover and protect part of the sides, and it also comes with a large lens cap that covers the entire front of the lens.
One other noteworthy touch is that the lens cap has two integrated slots that can conveniently store filters for easy access. The slots aren't large enough to hold memory cards or much else besides the filters - unless you're a spy and you need to hide some microfiche, maybe but I still thought it was a cool touch.
هذه القصة مأخوذة من طبعة Issue 139 من Photography Masterclass Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Issue 139 من Photography Masterclass Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
THE LOWDOWN ON THE SIGMA 15 MM F/1.4 ART FISHEYE LENS FOR SONY
Still, I don't want you to think I'm trying to give you the ol' bait-and-switch, so I'll say right from the top that this lens is quite pricey, and it's certainly not for everyone.
FEATURED PHOTOGRAPHER: DINA BELENKO
In this issue, we interview Dina Belenko, the conceptual still life photographer whose work transcends the boundaries of imagination.
PROVEN TECHNIQUES FOR CAPTURING THE BEAUTY OF FIREWORKS
Snapping the perfect shot of a fireworks display involves more than just pointing and shooting.
7 REASONS TO USE A DEDICATED CAMERA INSTEAD OF A SMARTPHONE
Nearly all of us us have a smartphone in our pockets and the included cameras have led to a real explosion in photography.
7 COMPOSITION TIPS THAT WILL IMPROVE YOUR PHOTOS
If you've wondered why some photos just look better, one of the secrets is often the composition.
THE LOWDOWN ON THE CANON EOS R50 MIRRORLESS CAMERA
An ideal camera for entry level photographers on a budget
FEATURED PHOTOGRAPHER: DAVID WRAGG
In this issue we featured David Wragg, an English automotive studio photographer. David caught our eye when he shared one of his images with us on Facebook where he captured the sleek curves of the front end of a classic Jaguar E Type.
MASTERING SPORTS PHOTOGRAPHY: TECHNIQUES FOR CAPTURING THE ACTION AND FREEZING THE MOMENT
Sport is such a broad and encapsulating term. People across the world love playing and watching a huge variety of sports – from tennis, through football and formula one; every sport will appeal to someone.
THE BENEFITS OF SHOOTING IN APERTURE PRIORITY MODE:
How Aperture Priority can help you achieve creative control over depth of field
EXPLORE YOUR CREATIVITY AND GET OUT OF YOUR COMFORT ZONE
Whether you’re a professional photographer or just enjoy taking images as an amateur, it’s easy to fall into a comfort zone of always shooting the same thing.