The handsome blond man in the photograph reclines on a wrinkled Persian rug, an arm's length from the camera. His smiling eyes gaze fondly into ours. Maybe he's about to say something. But what?
Other details catch the eye: he has one finger in a book - Carl von Clausewitz's On War (1832) - and he wears a wedding ring. His stonewashed denim shirt is embroidered with the corporate logo of SAIC 'An employee-owned company' - and he sports a rugged-looking digital watch. His forearms are scratched. On the brim of his baseball cap, in permanent marker, is written the word 'PRINCE'.
What else might you want to know about this picture? It is an artwork by the artist Buck Ellison, currently on view in the Whitney Biennial. Ellison is a Los Angeles-based conceptual photographer who works for the most part in what you might call a commercial idiom: well-lit, immaculately composed and often staged still lifes, portraits and narrative tableaux. The title of this photograph is Rain in Rifle Season, Distributions from Split-Interest Trusts, Price Includes Uniform, Never Hit Soft, 2003 (2021), and it depicts Erik Prince, former Navy SEAL and founder of military contractor Blackwater, at home on his Wyoming ranch in 2003.
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"One day this boy..."
How David Wojnarowicz gave me life
Art Encounters Biennial My Rhino is Not a Myth: art science fictions
Various venues, Timişoara 19 May-16 July
Southern Discomfort
A series of upcoming biennials promise to explore the art of the 'Global South'. But what does that mean? And is the term of any practical use?
Casey Reas
Crypto has crashed and burned, but NFT visual culture is the better for it, and here's why, says the pioneering artist and programmer
Isabelle Frances McGuire
Through kitbashing and the hacking of readymades, an artist explores what digital visual culture might look like in material form
No pain, no gain?
What's primary about Matthew Barney's SECONDARY
Fine Young Cannibals
A spate of recent glitzy films have asked us to eat the rich. But what, asks Amber Husain, are we really swallowing?
Mutant Media
Animation and gaming design studios aren’t just for entertainment, claims Jamie Sutcliffe, they’re a geneticist’s lab for producing our spliced bio- cybernetic future
Midcareerism
What's an artist to do when no longer dewy and not yet long in the tooth? Martin Herbert surveys the options, none of them pretty
Diego Marcon
\"In general when I work, it's not like I'm looking for something and I find moles, it's more like moles find me, they pop up. I don't know why, I just try to remain open to these kinds of visit\"