Feral File, launched in 2020, is one of the more inventive projects to come out of the recent convergence of digital art with Blockchain and NFT platforms. Founded by programmer and artist Casey Reas, Feral File is an online gallery, in which NFT artworks – by digital artists including Auriea Harvey, Mario Klingemann, Lu Yang and Sarah Friend – are brought together by changing guest curators. While the NFT explosion put the focus on high prices and star names (think Beeple), Feral File experimented with how the relationship between artists, curators and the market for digital works might support artists more equitably, while showcasing artists and projects that reach beyond the NFT hype. In the wake of the crypto crash, J.J. Charlesworth spoke with Reas about the origins of Feral File and the recent launch of the platform’s second iteration, Feral File 2.0.
ARTREVIEW Feral File came out of your 2019 project a2p – ‘artist to peer’. That platform was very convivial – allow- ing artists to share and ‘trade’ their works with each other. But with Feral File you’ve been dealing more actively with the other relationships that go on in an art ‘scene’, which are both economic and institutional relationships: you have the artist, the curator and the collector; relationships that are potentially ones of unequal influence. So it seems that with the shift from a2p to Feral File, you’re dealing with the different pressures that come to bear on that more ideal model of artists sharing a community, before a market gets involved.
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Denne historien er fra September 2023-utgaven av ArtReview.
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"One day this boy..."
How David Wojnarowicz gave me life
Art Encounters Biennial My Rhino is Not a Myth: art science fictions
Various venues, Timişoara 19 May-16 July
Southern Discomfort
A series of upcoming biennials promise to explore the art of the 'Global South'. But what does that mean? And is the term of any practical use?
Casey Reas
Crypto has crashed and burned, but NFT visual culture is the better for it, and here's why, says the pioneering artist and programmer
Isabelle Frances McGuire
Through kitbashing and the hacking of readymades, an artist explores what digital visual culture might look like in material form
No pain, no gain?
What's primary about Matthew Barney's SECONDARY
Fine Young Cannibals
A spate of recent glitzy films have asked us to eat the rich. But what, asks Amber Husain, are we really swallowing?
Mutant Media
Animation and gaming design studios aren’t just for entertainment, claims Jamie Sutcliffe, they’re a geneticist’s lab for producing our spliced bio- cybernetic future
Midcareerism
What's an artist to do when no longer dewy and not yet long in the tooth? Martin Herbert surveys the options, none of them pretty
Diego Marcon
\"In general when I work, it's not like I'm looking for something and I find moles, it's more like moles find me, they pop up. I don't know why, I just try to remain open to these kinds of visit\"