The award-winning composer on Commodore 64, Commando and creating moods.
Jesper Kyd has been scoring video games since the 1990s, emerging from the demoscene to become one of the industry’s leading composers. Born in Denmark but based in Los Angeles, he’s returning home in August with Copenhagen’s Gaming In Symphony concerts, where the Danish National Symphony Orchestra will perform music Kyd has created for Hitman II: Silent Assassin, Assassin’s Creed II, Assassin’s Creed: Brotherhood and more.
Which came first for you: music, or games?
Denne historien er fra October 2018-utgaven av Edge.
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Denne historien er fra October 2018-utgaven av Edge.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
CHANTS OF SENNAAR
How Babel helped a world of stealth become a world of words
MEGHNA JAYANTH
Around the industry in eight games: one writer's journey through indie to triple-A and back again.
Tom Clancy's Splinter Cell: Blacklist
Sam Fisher's final outing is also his most enigmatic
Post Script
How low should a boss go?
TWO POINT STUDIOS
How a new studio rose from the ashes of Lionhead success not simulated
RAIDERS OF THE ARCHIVE
Wolfenstein-style shootouts are just a small part of the picture in MachineGames' maximalist Indy game
SPLITGATE 2
If it ain't broke, don't fix Split
KINGDOM COME: DELIVERANCE II
A bigger, better - and funnier Bohemian rhapsody
Narrative Engine
Write it like you stole it
The Outer Limits
Journeys fo the farthest reaches of interactive entertainment
